The flooring pattern in the main hall is a mathematical looping system using 11 vertices of the hendecagon that folds to form interstitial spaces within the geometry. A recursive division of curves that create an asymmetry towards the deity creates a focal point at the ground level where the pattern curves and guides the visitors towards the deity for prayers and offerings. A pure white space from inside is magically lit by sunlight diffusing from the oculus on top, which maintains the purity and balance of the space by maintaining symmetry. Double fold origami structure allowed to create a rigid structure with fluidic columns that blend into the interior space while allowing a long-span shell-like structure.

Master plan, developed by Shilpa Architects, has been inspired by the Gode Neem tree of Shirdi, Maharashtra with a series of explorations on mathematical progressions resulting in an Agama-shastre based plan as the foundation for the design. The design of the garbhagriha is form-driven while trying to adhere to principles of numerology, Vaastu and powered by computational design.

The concept is to provide a form that is as pure and perfect as possible in colour, texture and philosophy. The proportions and sizing of all aspects of the design rely heavily on the understanding of the golden ratio and principles of mathematics and origami. Surrounded by a series of promenades, podium and lush green landscape, the Sai temple is a reflection of spiritual contemplation that will appear 66m (11x6) above the ground, making a mesmerizing experience for visitors entering the temple. Promenade frames the view to the temple, as well as guide the devotees to the 154 ft (11x14) Sai statue.

Comprising of 4 zones: Front promenade, Temple Complex, Rear Promenade and Statue, the spiritual temple will be built on the principles of Vastu Purusha mandala. The Front promenade marks the beginning of the temple complex by inviting the visitors into the complex after drop off. The area is spatially divided into counters for storing baggage and shoes, frisking area and ablution area.

The first view of this divine architectural pilgrimage is revealed to the devotees at Gopuram. To keep the interest alive, the view is partly hidden through the landscape. Green strips and shops break the monotony of the 525 ft promenade walk on either side of the pathway.

The area of prayer and meditation is based on the 11 point circle pattern that is reiterated throughout the design of gathering spaces and the roof of the garbagriha. The flooring of the garbagriha is done specifically to shift the focus to the far end of the room rather than the centre beneath the oculus of the polygonal roof intersects. Dividing the outer circumference into 11 equal segments, the position of the deity within the garbagriha is fixed. The arcs that radiate from this fixed position connect to the segment points on the circumference forming a petal-like pattern which is also translated to the oculus on the rooftop. This design measure creates a point of focus that is not the centre of the polygon while maintaining symmetry and sanctity to the Master Number.
The devotees reach the podium through the maha mandapa from either the VIP room or the general queuing system in place. Once they reach the podium, the devotees are offered a panoramic view of the entire development and could go to the temple, the three shrines in front of the garbagriha, meditation pockets, or gathering spaces as and when they prefer.