Nature begets Spirituality and so most religious centers are ensconced amidst nature. Shanti Sadan is a place for worship and service. The spatial planning of this facility, the materials used in construction and the simple form that defines this building are all a reflection of the austere life of the nuns of this community. The site had a two storied structure, adjacent to an existing hospice, which had become weak due to disrepair and age and couldn’t accommodate the current and future needs of the congregation. Hence the Sisters of St. Ann, Luzern in Mysore invited us to design a new facility that could accommodate a few bedrooms, a dormitory, a classroom, dining and kitchen facility, an office and a chapel.
Programmatically, the building has two important parts– the accommodation facility and the Chapel. The dormitory, the bedrooms, a classroom, an office, the dining and the kitchen are all clubbed together in a linear arrangement over two floors, whereas the chapel has been detached from the main block and pulled out into the greenery around. Metaphorically, this arrangement helped us in detaching oneself from the worldly affairs while in the place of worship.
The overall aesthetics of the building drew its inspirations from Buddhist caves at Ajanta with vaulted ceiling, the apsidal planning of Durga temple at Aihole, Buddhist caves at Ajanta and the typical Byzantine, Romanesque and Gothic Church plans. The two storied linear mass on the northern side has an RCC vault roof finished in China mosaic to reflect the summer heat. This not only creates a more heightened spatial experience akin to the ones we get in all religious buildings but also keeps the interior cool by pushing the ceiling higher and accommodates the bunker beds in the dormitory.
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