The towers of Sagrada Familia provide tourists with a singular vantage point to take in the city's skyline and landmarks with their breathtaking panoramic views of Barcelona. Climbing the towers provides an immersive experience where the surrounding countryside and the facade's fine details are fully visible. A defining feature of Gaudi's architecture, the interplay of light and shadow is also visible to visitors as it moves across the building's components. For those who are curious about the technical details, the towers' heights and measurements :
- Nativity : 98 meters
- Passion : 107 meters
Following Gaudí's death, the architect Domènec Sugrañes i Gras carried out more work, but the Spanish Civil War (1936–1939) put an end to it. Following the war, the architects Francesc Quintana, Isidre Puig Boada, Lluís Bonet i Gari, and Francesc Cardoner followed one another. Construction on the Passion facade started in 1954. In 1976, the towers were finished. Josep Maria Subirachs, a local artist, and his crew started designing the facade's sculptures and embellishments in 1987.
Jordi Bonet i Armengol, son of Lluís Bonet, and Jordi Fauli are the current directors. Other notable individuals involved in the church's construction were the New Zealander Mark Burry and the Spanish and Japanese sculptors Etsuro Sotoo and Jaume Busquets i Mollera. The artist responsible for designing Glory's front, Josep Maria Subirachs i Sitjar (1927-2014), left the largest influence, though.
The exact location of Sagrada Familia was intended to be in the heart of Barcelona; from the church, it would be the same distance to the sea, the mountains, the river Besòs to the north, and the Llobregat River to the south. As a result, the Sagrada Familia was going to be directly beneath the fast train's proposed path (AVE, Tren de alta Velozidad). Many Barcelona residents were concerned that it might harm the structure, leading to the creation of the l'AVE pel Litoral (the quick train to the beach) association.
UNESCO measurements, however, indicated that despite the church's weight, both the ground beneath it and the building itself would be sturdy enough to hold the tunnel. The availability of stone for the church has also been problematic. The Sagrada Familia's stone suppliers had to find a stone with the same color and structural characteristics after the quarry outside of Barcelona closed a few years ago. At last, it was found near Liverpool in Withnell, Lancashire, in Northwestern England.
To sum up, Sagrada Familia is a monument to the unmatched vision of Antoni Gaudí and the eternal spirit of avant-garde architecture. Its breathtaking architecture and rich history have drawn tourists worldwide, providing a deep cultural experience and an insight into the limitless potential of human endeavor. Sagrada Familia is still an iconic work of art that stands the test of time and has a lasting impact on the world's architectural landscape because it represents both creative brilliance and spiritual significance.
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Text provided by Pallavi Prabhupatkar -
Being an architecture student, Pallavi believes that architecture is more than a mere physical construct, it embodies a profound emotional resonance as well. Beyond structural elements, it encapsulates a spectrum of feelings, shaping our connection to spaces. Her thoughts dive into writing, where she blends imagination and reality to tell engaging stories.