Space serves as the fundamental starting point for architectural design. It is the canvas upon which architects articulate their ideas, and understanding it is essential for developing design thinking. Architects perceive space as more than just an empty area. It is a dynamic and complex element that serves as a canvas for the creation of architectural art. To understand space, one must have a sophisticated awareness of its experiential, emotional, and physical components. Considering both volume and shape, architects view space as a three-dimensional object. 

A building's design entails forming and reshaping this spatial volume to suit different purposes, adapting to surrounding circumstances, and enhancing the building's overall appearance. Architects distinguish between two types of space: Positive space, which is filled with mass or items, and Negative space, which is empty or void. The interaction of these two forms of space is essential to producing a well-balanced and eye-catching design.

Bjarke Ingels:

"Space is substance. Cézanne painted and modeled space. Giacometti sculpted by "taking the fat off space." Mallarmé conceived poems with absences and words. Ralph Richardson asserted that acting lay in pauses... Isaac Stern described music as "that little bit between each note - silences which give the form."

Blueprints refer to detailed and precise technical drawings that communicate the design, dimensions, and specifications of a building or structure. These drawings serve as a comprehensive visual guide for construction and are essential to the architectural documentation process. The architect's vision and architectural intent are captured in blueprints, which are more than just drawings. They visually represent the structure's intended arrangement, spatial relationships, and general aesthetic.

Le Corbusier:

"I prefer drawing to talking. Drawing is faster, and leaves less room for lies."

The comprehensive knowledge of a design that goes beyond the typical perception of its constituent parts. It highlights the interdependence of architectural features and captures the notion that the whole is greater than the sum of its parts.

(Crafting Openings) Although the term may seem enigmatic, architects use it to describe the thoughtful placement of windows and doors. It includes more than just holes; it also includes thoughtful placement to maximize ventilation, natural light, and aesthetic appeal.

(Visual Symphony) Using the form hierarchy, architects can arrange a visual symphony. Creating a harmonious composition that directs the viewer's focus entails purposefully arranging design elements to emphasize certain aspects while subduing others.

(Designing Movement) Circulation is more than just individuals moving around a place; it also includes the purposeful layout of paths. Architects take on the role of choreographers, directing movement to improve interactions and user experience in the built environment.

An elevation is a two-dimensional depiction of the façade, or outside look, of a structure as viewed from a certain angle. It offers a graphic representation of the vertical proportions of the building. Usually seen from a particular angle, this portrayal shows the structure's frontal aspect and its architectural details, including its vertical surfaces. Elevations are crucial documents for architectural drafting and design because they convey the visual characteristics of a structure, such as the scale, proportions, and placement of windows, doors, and other external features. 

A work that emulates the style of a specific architectural movement, era, or individual architect is referred to as a "pastiche" in the field of architecture. It entails taking shapes, forms, or ornamental components from other historical or well-known styles and fusing them to produce a fresh composition. Because pastiche in architecture takes inspiration from a variety of sources rather than strictly conforming to one historical or style setting, it frequently results in a design that may appear eclectic.

In architecture, the term "contemporary" refers to a style that reflects the design trends and prevailing sensibilities of the present time. Contemporary architecture is characterized by a departure from traditional styles and often emphasizes innovation, sustainability, and the use of new materials and technologies.

A structural member that is supported at one end and extends horizontally into space without the need for additional vertical supports at its free end is referred to as a "cantilever" in architecture. It produces an overhang or projection that can be used in building design for both decorative and practical reasons.

"Sustainability" in architecture refers to the process of planning and erecting buildings and other structures in a way that avoids adverse effects on the environment, saves resources, and fosters long-term ecological balance. The goal of sustainable architecture is to design buildings that are socially, ecologically, and energy-conscious at every stage of their lives—from conception to completion to use and eventual removal.

Richard Rogers:

"Sustainability is now a word that people are much more aware of and are looking for, but it doesn't mean they're going to get it. We've got to turn our words into action and deeds."

The act of joining or assembling different parts, components, or materials to form a coherent and cohesive whole is referred to as "assemblage" in the context of architecture. It entails the deliberate placement and blending of various components to create a composition that is more than the sum of its parts. The term "assemblage" can be used to describe both the actual building construction process and the planning phase.

Jean Nouvel:

"The role of the architect, or the designer, is that of a very good, thoughtful host, all of whose energy goes into trying to anticipate the needs of his guests – those who enter the building and use the objects in it."

Knowing these terminologies can help you appreciate the built world more deeply and is not only a test of your language skills. Architectural jargon is a precise language, with each term acting as a brushstroke to create environments that are more than just utilitarian. These words are the foundation of architectural poetry, from the gracefulness of a well-planned window to the structural dance of a cantilever. 

An architect composes spatial symphonies by navigating the vocabulary of arches, facades, and pilasters, just like a skilled musician navigates musical notes. By embracing our newly acquired understanding of these fundamental architectural words, we enable ourselves to participate in meaningful discussions about the places we live in. By doing this, we take an active role in the design discourse, where mastery of architectural terminology opens doors to a world in which buildings are no longer just objects of construction but rather poetic representations of human creativity and genius. With this linguistic toolkit in hand, we may now more effectively enjoy, analyze, and contribute to the dynamic language of architecture.

Text provided by Pallavi Prabhupatkar -

Being an architecture student, Pallavi believes that architecture is more than a mere physical construct, it embodies a profound emotional resonance as well. Beyond structural elements, it encapsulates a spectrum of feelings, shaping our connection to spaces. Her thoughts dive into writing, where she blends imagination and reality to tell engaging stories.