We would like to take this opportunity to introduce you to our jury member of the Tree House 2024 Architecture competition.

We’re delighted to speak with "Gonçalo Marrote", Born in Cascais, Portugal, into a family with a tradition in carpentry and masonry, he developed a passion for the construction arts from a young age, influenced by his family environment. In 2012, he completed a master's degree in Urban Architecture at FAUL. During his studies, he had the opportunity to work in carpentry workshops and travel the world, including a stay in Berlin to enhance his knowledge. 

In 2013, he embarked on an adventure through India and Nepal, seeking work in architecture studios such as Studio Mumbai, where he learned ancient construction techniques. After this experience, he spent several months in New York and Perth, working in small carpentry shops. His continuous quest for knowledge led him to complete a postgraduate degree in Sculpture at the Faculty of Fine Arts of the University of Lisbon in 2015. From 2015 to 2017, he developed his own projects and worked as an architect and carpenter. Currently, he leads Madeiguincho, applying the knowledge acquired in his academic, professional, and personal journey, as well as the teachings from his family.

"Madeiguincho" was founded in 1990 and continues to grow, always maintaining the values of quality, tradition, and innovation established since the beginning. In 2018, under the leadership of CEO and architect Gonçalo, a new direction began for Madeiguincho, aiming to expand horizons and explore new opportunities. Operates in various sectors, including the construction of Tiny on Wheels, garden studios, treehouses, as well as furniture and sculptures manufacturing. They strive for a personalized and holistic approach in every project, exploring diverse solutions in wood and other materials, creating a space for experimentation and new approaches are discovered.

We're excited to speak with him about his perspective on the field of architecture and their expectation from the participants of the Tree House 2024 Architecture Competition. For the purpose of this interview, he would be referred to as GM in responses, however, Volume Zero is referred to as VZ.


Tree House for Grandchildren



VZ- What are some of your favorite projects/projects that you worked on? (What were the most exciting parts about it?)
GM- I don't have a favorite project. Each one brings something new and exciting and I truly believe that the best is still to come. 


VZ- What has been your most challenging project? (What were the challenges faced with topography, local climate, structure, clients, people, etc.)
GM- "I must say the tree house for grandchildren stands out. The way it connects to the trees and the unique structural support made it a memorable project."


Cassiopeia Treehouse



VZ- What would be your word of advice for all the young budding students and architects who are looking to make a mark in this professional world?
GM- "Just do what you love, and everything will exceed your expectations. You might even encounter some wonderful surprises along the way." 


VZ- What are you expecting from the proposal and the participants for the Tree House 2024? (Example: Concept, Spatial Design, Site-Selection, Functionality)
GM- "I'm always looking forward to unique ideas that prioritize the care for the site and respect for the planet. It's essential to blend creativity with sustainability for truly impactful designs."


Columba Tree House



VZ- Is there any aspect of the brief that appeals to you the most or do you find it the most challenging? (Example: Area restriction, Spatial Adaptability, Functionality, and The overall experience of a Tree House.)
GM- "The overall experience of the treehouse excites me the most. I'm eager to see what new designs and ideas people will bring to the table. Each project brings a fresh perspective and endless possibilities."


VZ- Explain your perspective when designing a Tree House in today's day & age. Example: How would you approach this?
GM- "I would first approach the tree and the land, embracing the genius loci. Then, I would let my mind rest for a few days, allowing my imagination to run free. Only after this would I begin the design process to create something unique and connected, ensuring it harmonizes perfectly with its natural surroundings."






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